If you thought things were nutty before now, all I can say is buckle up, because from here on out things only get nuttier.
Chapter 8 returns us to Lorenzo and the Marquis moping around over Agnes’s presumed death. The only one not given over to the mopes is young poet Theodore who decides to don cape and eye patch and go begging at the convent with his guitar. As a dapper young lad he’s quick to work his way into the place and charm the nuns, which he does with a song from Denmark where the people are green and have orange hair.
Much impressed with his singing one of the nuns gives him a basket of food to take away. And of course in the basket is a secret message for the Marquis, telling him to get a warrant for herself and the head nun, and to execute it on Friday during the big parade coming up in Chapter 10.
The Marquis sets about doing this, while Lorenzo goes and serenades Antonia. She’s pleased by this and goes to bed happy.
… and then the bad shit starts.
First off, Ambrosio shows up with his burning myrtle that opens doors and puts people to sleep. He’s using it to creep through the house on up to Antonia’s bedroom, where there’s a long unsettling bit with him hovering over her unconscious body and removing her clothes. Dracula has nothing on Ambrosio. He’s all ready to do the raping, when the door opens and Elvira walks in. She’d already caught him trying to rape her daughter once and forbidden him to return to the house, but now, she’s ready to scream for the authorities. And she almost does, except Ambrosio kills her, by smothering her with her unconscious daughter’s pillow.
An aside… watching old movies in no way prepares you for reading old books. Old movies couldn’t show certain things. Old books could and did, so they’ll hit you with vivid description of some brutality straight out of Goodfellas.
Like here, not only do have Ambrosio killing Elvira next to where her daughter lies unconscious, you also have the description from Ambrosio’s POV of himself kneeling on Elvira’s chest until she can no longer draw breath.
And in true Ambrosio fashion, he reacts with disgust not with himself, but with Antonia, because like what she made him do. So, he flees and we go on to Chapter 9.
Chapter 9 is a cool down chapter Ambrosio once more rationalizes his actions and reinforces his veneer of respectability, putting the blame on Elvira for causing her own death. Matilda once more offers to have Satan help him in exchange for his soul, but Ambrosio reasons like a Catholic and thinks despite everything, as long as he doesn’t sell his soul he’ll at least get sent to Purgatory.
Meanwhile, Antonia finds the body and her life starts falling apart from there. She’s taken ill. Her landlady pays for a simple funeral. The days pass in grief and torment. One night, Antonia wakes up and goes to her mother’s room where she reads a ghost story, and finds herself visited by Elvira’s ghost. The ghost tells her in three days, she too will be dead, and that’s enough to send Antonia into hysterics. The landlady finds out what happened, and she flees the house to find the holiest man she can… Ambrosio.
He goes to the house, checks things out, and calms the “simple” women down. Remember now, Antonia has no idea that Ambrosio tried to rape her twice and killed her mother. She just knows her mother didn’t like him. Ambrosio’s looking after her health, and when he goes back to the abbey, he and Matilda hatch a plan to drug Antonia, so she appears dead, and then in the crypt when she wakes up, he’ll be waiting there. There’s some difficulties from Flora, Elvira’s servant and confidant who knows why Ambrosio can’t be trusted, but in the end he’s able to administer the poison to Antonia. He then commands that her burial should be performed without delay.
And so it is.