I have rediscovered my time management skills and organized my executive function disorder to bring you two, count’em, TWO short-story synopsis. First we have that two-fisted purveyor of screw turning, Henry James. After that will follow that treacly plumber of psycho-sexual phantasmorgia, Hans Christian Andersen.
Let’s get to it!
“The Friends of the Friends” by Henry James
This story’s premise was great and hooked me from the start. An editor is going over a deceased writer’s papers and wonders what to do with this strange story she tells. She had two acquaintances who each had true premonitions of a loved one’s death while still both children. Being the society-minded person she is the woman decides wouldn’t it be great if these two people met each other. However every time she or anyone else tries to bring them together some thing happens to keep them apart This becomes a running joke in her social group, and so it goes on for years. Another peculiarity of the pair is that each refuses to be photographed, which is currently all in vogue among high society.
Some years pass, the old joke continues to remain, but by now the woman telling the story has fallen in love with the man and has decided to marry him. Around this time the woman of the fated pair is finally freed from her marriage (she’d been living separate from her abusive husband), and this sparks a crisis in the narrator because she has just hatched a full proof plan to get the two to meet. The narrator fears that these two are so much alike that she’d be tempting fate by having them meet each other. So she lies and has the woman of the pair visit while the man’s away. However, the narrator had compelled the man to get his picture taken, and the picture now sits on her mantle. The woman of the pair spends some time studying the picture and the back on which the man’s address is printed. She then leaves. The next day the narrator feels terrible and goes to confess everything to the woman, but when she arrives she discovers the woman died the night before. More guilt-ridden than ever, the narrator confesses all to the man, her fiancé, and admits that she had played a cruel trick on her friend out of fear at what might happen if the two should meet. The man laughs telling the narrator that the woman appeared to him in the night and stood some time in his chambers watching him. This startles the narrator, who turns detective to piece together the woman’s actions before her death. All she can learn is that the woman spent some time dozing at her club and everyone saw her there. However enough doubt remains in the narrator’s mind that she ends her betrothal to the man. For his part, he feels he has done nothing wrong and that the narrator is being silly. Six years later, the narrator tells us the man dies, probably from suicide, although she believes he had done it to be reunited with the dead woman who had haunted him. The End.
So, yeah. Like I said I fell in love with the seed of this story and the weird mumblecore smallness of it. Sadly, James’s ultra-thick but ultra-pasteurized prose works to suck all the life out of the idea and bury it beneath expositive introspection and I’m not so much a fan of that.
But, that seed of two people in an extended social group having strange experiences so all their mutual friends work to have them meet each other? Lordy, I would love to have a dozen different writers take it up and use it to write a story. Imagining a Victor LaValle version alongside a Kelly Link version alongside a Laird Barron version gives the old skull-nut chills.
Now, on to Hans Christian Andersen
“The Traveling Companion” by Hans Christian Andersen
Parents love Hans Christian Andersen for his Christian imagery and moral instruction. Children like his because the princess has her own private pleasure garden where she can torture the unworthy and feed their eyes to her wizard mentor-pet.
Truth told, I had never read Andersen before, discounting him as simply a moralistic fairy tale writer. And while that’s partially right, it overlooks the heaping fruit-loopy tower of psycho-sexual WTFry he offers.
John is a good protestant boy left alone in the world after the death of his father. But he’s a devote lad full of inherent goodness and has no fear as he sets out into the wide world. Soon he finds himself homeless and forced to shelter in a chapel where he comes upon a pair of Bad Men getting ready to defile the recently deceased body of their debtor. John stops this by giving the Bad Men all his money and then sets off poorer in the morning. Soon he is joined by a jolly traveling companion and the two decide to stick together from now on. As they journey the companion exhibits many strange powers and makes odd bargains with payment.
In time the two reach a city where a king is sad because his daughter is a beautiful witch monster that delights in torture. She will marry whichever man can answer her question “What am I thinking?” three days in a row. Those that fail get impales in her torture garden. Since John had a vision that this woman would be his bride early in the story he falls head over heels in love with her despite all warnings. Figuring John’s dead unless he does something the companion sets about using his magic to spy on the princess. Soon enough we learn she’s in league with an evil wizard who gives her all manner of material comforts. This wizard tells her what to think on the morrow, and the companion hears this and tells John in the morning. Later when John answers the princess’s question correctly everyone starts rejoicing wondering if the end of the curse is at hand.
The second night is a repeat of the first with the princess going to her bad wizard friend and the traveling companion overhearing all. John succeeds in answering the second question, and now things are getting serious. On the third night, the bad wizard tells the princess to think of his head, and this the traveling companion chops off once alone with the bad wizard, giving it to John in a bundle and telling him not to open it until the princess asks her third question. When the time comes and the question is put to John, the head astounds everyone. Since John guessed all three questions correct the princess is his and there’s much rejoicing.
Except for the princess who has to say goodbye to her magic powers and private mountain torture palace. A witch is still a witch after all.
The companion tells John how he might wash the witch out of the Princess by dunking her in a bath with swan feathers in it, and this John does washing the princess who changes into a black swan then a white swan. Now a prince John wants to reward his companion, but the fellow says no, he was but repaying a debt and reveals he’s the dead guy whose corpse John protected at the start of his journey. And so, they all lived happily ever after.
This story was a trip and my experience of it ran opposite to what I felt reading the Henry
Miller James* story. “The Friends of the Friends” had a great premise but meh execution. “The Traveling Companion,” on the other hand, had a meh premise but great execution. Both are worth the time it takes to read them.
If you do, let me know what you think.
Next week… a story by someone the editor refers to as “not a very good poet.” Until then, may all your yesterdays be weird.
* I always get these two confused.
This week’s story is “The Lemmings” by Alex Comfort. Comfort’s most famous as the author of the 1970s era bestseller, The Joy of Sex. Maybe you peeked at it when you were a child? He was also a pacifist and a nudist. And while “The Lemmings” is a solidly okay story. But it does gain something by imagining it being screamed at you by a naked man carrying a sign that reads, “Wake up Sheeple!”
“The Lemmings” by Alex Comfort
Our nameless narrator travels to an island where he meets The Keeper whose job it is to tend the lemming colony on the island. Curiously, outside the title and the fact that the creatures are harvested for their fur, Comfort never refers to them as lemmings in the story. And while these creatures seem to match the Walt Disney fabrication of lemmings they’re also creatures with a sort of society. They form social groups and make laws and take pride in their appearance, and at a sign they march en masse into the sea to die. And that’s exactly what happens.
The narrator and the keeper chat about the creatures. The Keeper has affection for the creatures, but more as a curious dispassionate observer than as someone who will make any large changes to their existence. He crafts the creatures little medals that they award each other on their suicidal swim, and he dresses like a priest because it makes them more relaxed. A few lemmings refuse to take part in the mass suicide and suffer violence as a consequence, but by and large the suicide is approached as a necessary carnival mixed with a patriotic duty. Afterwards the Keeper and the narrator skin the drowned bodies once they start washing up on the island’s shore.
Wake up Sheeple! Etc.
Overall this is a barely off the nose sort of allegory with enough flourishes to make it rise above the straightforward. Like I said it’s solidly okay and doesn’t at all overstay its premise, and it’s jagged enough to have hooks that might even make it stay with you.
An odd aside, this story reminded me a little of Jack Vance. Except Vance would have either made it a footnote to a larger story or put an intergalactic casino nearby where jaded gamblers come to bet on the event and which would serve as the backdrop to some adventure short story.
Next week, another “Definitive Article Adjective Noun” short story.
Here are some recent books reads. Maybe you will find them interesting, or maybe you’d like to recommend something you’ve enjoyed.
Rogue Protocol by Martha Wells (Murderbot #3): I am a fan of the Murderbot series and this one delivered the usual murderbot goodness even if it wasn’t my favorite of the series. One thing was Murderbot didn’t seem to have any new shows to watch and obsess over so that quark in their voice wasn’t present as much as it had been in the first two books. And another confession is that I’m less into the conspiracy thread that links all these stories together and only have vague memories of who people are from the earlier books. All that said, if you like Murderbot, then this is good Murderbot. And if you haven’t read Murderbot then this is a recommendation that you should start. It’s a fine series about a security bot that has gained autonomy and found itself the protector of some humans in a very corporate nightmare interstellar science fiction setting. Each book delivers a good few hours of smart action entertainment.
The Sunken Lands Begin to Rise Again by M. John Harrison: This is a book where the bit that moves the plot has been intentionally left out, so you’re left reading about damaged people on the edge of a mystery that they can’t quite discern or even confirm exists at all. I can understand how anyone might hate that, but in the hands of a stylist like Harrison you get something else that looks closer to our lives as we live them within systems too large for us to comprehend. Nostalgia, conspiracy theories, grand paradigm shifts – it’s all here, while also being about a relationship between a man recovering from a breakdown and a woman mourning the death of her mother.
Mythago Wood by Robert Holdstock: This book’s what the old folks call “a trip”. The setting’s England in the late 40s and Steven Huxley has come back home from the war to find his father dead and his brother growing ever more obsessed with the nearby woods. From there it’s a psycho-symbolic Jungian quest story as Steven and his brother uncover the mysteries of Ryhope Woods. The Woods serve as something like a mythic resonator and draw archetypes from those near to it. When I say this is a trip, I mean it. Before long the brothers are in the infinite wood, questing for the center while locked in a struggle that hearkens back millenia to the end of the Ice Age.
Vast by Linda Nagata: Far future hard SF about a band of explorers onboard a spacecraft that’s seeking the origin of a threat to their civilization. It’s also a rather long extended chase scene as the explorer’s spacecraft is being pursued by an enemy spacecraft. While this does have some of the cringe of 1990s SF, it’s also undeniably a book that inspired a lot of books that came after it. It’s hard not to read Alastair Reynolds and not see the debt he owes Nagata’s work. (And he admits this, so that’s no slight on Reynolds.) There’s also a weird Cthulhu mythos vibe here that I find fascinating, and which I might write more about at some point in its own post. I’ll just say that vast is an apt title for this book, and Nagata makes you feel how life might be lived across such vast gulfs of space and time.
Silver by Linda Nagata: I read Vast so I could read Silver, which is a sequel to Edges which was a sequel to Vast, but Silver is also a sequel to Nagata’s novel Memory which had a completely different setting, so we’re in that territory where an author is trying to merge the streams, and it… works. One thing I loved is that all the characters inhabit technologically advanced civilizations, but interact with the technology in different ways, so at first both sides look down on each other before recognizing their similarities. I’ll also say I think Nagata has become more accessible since the 1990s, and this feels less like the Vast setting and more like her Memory setting.
There’s a lot going on in the world and every week it feels like there’s more of it.
Sometimes I feel like it may not the best time to ramble about fiction. But, we’re all leaning into self-care, and some more than others. Putting out these (near-) weekly blog post makes me feel some accomplishment. Is it selfish of me to foist that upon you? Maybe. Certainly I think so in the gloom of whatever negativity gets its clutches on me, but at those times I know better than to trust my thoughts or take them seriously. If I did I know I’d be more miserable.
This week we have two stories, both classics but one more so than the other.
First up, the lesser classic:
“The Bureau d’Exchange de Maux” by Edward Plunkett Moreton Drax Plunkett, 18th Baron of Dunsany AKA Lord Dunsany
This one felt like a Twilight Zone episode, and who knows, maybe it is.
Somewhere on a shady street in Paris there is a store and in that store sits the most evil man. This man operates a peculiar sort of stock exchange where one person can exchange their evil for another’s. Too many children got you down? Why not exchange that with someone who’s down because they have none? Fear losing all your money? Why not exchange that fear with someone who fears making more money?
People come to the exchange pay their dues, and the evil man matches clients together. The narrator has stumbled into the place and at first is an observer. But after awhile the concept of the place pulls him in. He wants to know how it works and decides to test the place by getting rid of some inconsequential evil, his fear of boats. He exchanges this with a man who’s afraid of elevators and the narrator goes away thinking he got the better of the deal. Of course when he gets back to the hotel, his new fear hits him hard and he realizes he’s doomed himself to a life of always taking the stairs. The next day he goes back to the Bureau to see if he can cancel the exchange, but when he reaches the street the store’s not there. It’s like it never existed at all. The end.
I won’t lie. I like Lord Dunsany, especially when he works in this contemporary weird mode, as opposed to his mythic Orientalist. You can give it a read here.
Next is our classic story, a philosophical tale that I’m sure you all know.
“Those Who Walk Away From Omelas” by Ursula K. Le Guin
I will confess that at uncharitable moments I’ve viewed this story as “The Cold Equations” for the woke. If you’re not familiar with “The Cold Equations”, you can read the Wikipedia page here. It’s the type of story lauded for its adherence to a grim hard techno-objectivism and is as contrived as any other moral fairy tale. Omelas has some of that, except Le Guin’s more honest in what she’s doing. She tells us at the start that she isn’t writing a story, but writing a thought experiment dressed up as a story. And as the one in charge of the experiment she is tilting the field against us, the reader.
Omelas is a beautiful place and we come to it on the first day of its summer festival. In every way it is utopian and delightful with Le Guin pointing out that it has none of the usual utopian corniness. And so paragraph after paragraph we wander Omelas and admire all that it offers and we see the games and delights, and Le Guin lets us enjoy all that, until she decides that Omelas needs a taint for us to believe it is real. And the taint is where the moral puzzle rests.
In some building’s dark basement there is a child who lives abused and uncared for. All adults in Omelas know the child is there and all know if the child wasn’t there the utopia could not exist, and if it wasn’t this child it would likely have to be another, possibly even one of the beautiful ones we saw in the earlier paragraphs. Everyone knows the child is there. But some, those who walk away, see the child and can’t afterwards return to their idyllic existence in Omelas. In time they abandon utopia and leave to find a better place.
Unlike “The Cold Equations”, Le Guin doesn’t present her moral puzzle as a story. (Nor is she working with an editor that seems particularly set on having the sentimental teenage girl die.) Le Guin builds her moral puzzle in every paragraph, putting the pieces together just so. It’s a good read and a testament to Le Guin’s craft. When we get to the dark basement, she depicts the taint in Omelas in very clear terms. There is no way to negotiate with this evil. It simply is. And Le Guin gives us only two potential outs: do we live in Omelas, enjoying all it has to offer while knowing the only way it can exist is by gross cruelty or do we abandon it and walk away?
Most everyone likes to think they would walk away from Omelas, but would you still, if it meant you’d likely die from starvation on some mountain slope? Le Guin leaves unsaid any mention of the walkers’ fate. She doesn’t tell us there’s a better place, only that there’s a place more unimaginable than Omelas, and it’s one she can’t describe. My take is that those who walk away from Omelas die, but their rejection of Omelas is what makes that place change.
But here I am negotiating with a contrived moral puzzle. The most interesting moral puzzle is how to live when every place is Omelas, only of a differing shades. In that situation is it even possible to walk away?
Put your solution in the comments below.
Everyone’s favorite two-fisted pulp action superstar: Franz Kafka!
“The Fisherman and His Soul” by Oscar Wilde
This is one of Wilde’s not-for-children fairy tales that touch upon hiss interest in doppelgangers, morality, and redemption. All while never being dogmatic in the morality it presents, and allowing instead for an argument that’s a bit more nuanced. It’s the kind of story that invites you in to work over and decipher what it might mean.
Here’s how it goes.
It’s obviously about a fisherman. He falls in love with a mermaid, but can’t live with her under the sea because he has a soul. So he decides to get rid of his soul and sees the priest. The priest tells him his soul is precious and not to be traded away for the pleasures of the body. But the fisherman doesn’t care and tries to sell his soul, but all the merchants tell him it’s worthless. So he sees the sexy witch, and she wants him to worship Satan, but the fisherman’s too focused on his mermaid love and doesn’t fall for no witch’s Sabbath. He forces the soul-severing rite from the witch, does the deed, and goes under the sea to live with his mermaid. His soul however goes off and wanders finding itself in Arabian Night’s adventures. Before long through guile and ruthlessness, the soul’s amassed fabulous treasures. However the soul has no heart and each year it visits the fisherman trying to lure him away from the mermaid, but the fisherman’s too much in love, until the soul tells him about a nearby dancing girl, and since mermaids can’t dance, and the dancer’s nearby, the fisherman agrees to go with the soul. Of course along the way the soul makes the fisherman commit a number of crimes, and when the dancing girl doesn’t materialize, the fisherman returns to the ocean, but can’t be reunited with the mermaid because he has a soul now and is no longer innocent.
But, wait, there’s more!
The fisherman becomes a hermit and time passes. The mermaid dies and her body washes up on the beach. The fisherman finds the body and dies alongside it, and then the priest shows up.
He didn’t condone this whole mermaid business, so he refuses to bury the dead lovers in church grounds. Instead they get dumped in an unmarked grave in the Fuller’s Field. More time passes. The priest’s going to give a big sermon on hellfire and brimstone, but the altar is decorated with such beautiful flowers that he decides to preach on god’s mercy and love for all creatures. After mass he asks where the flowers came from and learns they came from the lovers’ unmarked grave. This prompts a change of heart in the priest and he goes out to bless the waters of the bay. But by then all the merfolk had moved away, and the flowers never again grew on the lovers’ grave.
Seriously, this is good stuff. It’s that style of story that is less straightforwardly allegorical and more fraught with meaning and implications. You want to dig in and puzzle over it. Things happen in threes and there’s magic and mermaids, but a sadness too that comes from society, social conventions, and the knowledge we have of right and wrong.
I suspect there’s at least one Penguin Classics style collection of Oscar Wilde’s fairy tales out there, and I suspect I’ll have to buy it at some point, because after reading “The Fisherman and His Soul” I want to read more.
Next week, Lord Dunsany and Le Guin!
“Autumn Mountain” by Ryunosuke Akutagawa
Ryunosuke Akutagawa lived in the early decades of the 20th century and is considered the father of modern Japanese fiction. To the audience reading this, he might be most notable as the author who wrote the stories that were made into the movie Rashomon. “Autumn Morning” is the story of a painting that may or may not exist. Nothing happens in it except people walk and talk. Now I was once a young man who walked around a lot and spoke a lot of serious nonsense about paintings. Catch me in the right mood or bring up Max Beckmann and you’ll probably get an earful. But I also recognize blather as blather, and art school blather especially when about authenticity, truth, beauty, is a peculiar product all its own.
Anyway, this short story has eight characters in it, and one of them is telling a story to a second one about the painting done by a third which was owned by a fourth one and which a fifth guy who was the first guy’s teacher said was the most amazing painting ever, but after seeing it the first guy’s not so sure the painting he saw is the actual painting, so he tries to buy it, but can’t, then the painting disappears, only to re-emerge years later in the possession of a sixth guy, and this makes the first guy rush out to see it with a seventh guy who’s an art critic and, I think, the fifth guy, and guy one and guy five decide the painting’s not the actual legendary painting, while guys six and seven say it is… and I’m pretty sure I missed a guy in there somewhere, but it doesn’t help that all their names are the Japanese equivalent of Mr. Smith, Mr. White, Mr. Smythe, Mr. Whyte, Mr. Smitt, Mr. Whitt, Mr. Smithwhite, and Mr. Whitesmith. The moral of the whole tale is maybe this legendary painting doesn’t exist and yet by some weird fluke of the imagination what we imagine to be real can be more real than reality.
Manguel seems to have never met a story about a magical scroll painting he didn’t like. It’s a weird thing and I wonder if such stories were the ones that got the broadest reprinting in translation.
“The Sight” by Brian Moore
This one’s interesting because I learned that Brian Moore wrote the novel of a movie I quite like (Black Robe) is based on as well as won a host of awards as well as also being called “my favorite contemporary writer” by Graham Greene, and despite all that I had never heard of Moore before reading this story.
Benedict Chipman is an asshole lawyer in 1970s New York who has recently come home from the hospital after a bit of a medical scare. And while he’s still an asshole, and his doctors have told him their biopsy showed his tumor was benign, the doctors want him to come back at the end of the month for a second test. Chipman’s mostly satisfied, but has some lingering anxiety over this upcoming test, especially as everyone in his life seems to be extremely concerned for him and acting like they know something he doesn’t. This brings him around to discovering that his Irish housemaid claims to have “the sight” and can see when someone’s about to die. She’s let slip to all Chipman’s associates that he doesn’t have long to live, and when Chipman finds out all this the crisis happens.
This is a pretty introspective and psychological story about an unlikable egomaniac’s personality crumbling under a strain of doubt and anxiety. The whole thing probably takes place over the span of 48 hours, and the speculative element is barely present, but it’s a solid diamond of craft and characterization, and I’m glad to have read it.
“Clorinda” by Andres Pieyre de Mandiargues
This one’s a short vignette that reads like Charles Bukowski ghost writing a WB Yeats Celtic fairy tale. A drunkard encounters a miniature fairy knight and promptly subdues them and peels off their armor (like peeling a shrimp) and reveals that the knight is in fact a beautiful tiny woman. Our drunkard proceeds to restrain and disrobe the woman and readies himself to do more, at which point his beastliness gets the better of him and he runs off into the woods to rut and crawl in the dirt. When he recomposes himself once more and returns to where the fairy woman is bound, he finds only the torn string and a drop of blood and has to assume a bird ate her. . . and so that’s why daddy drinks.
This isn’t a story I would seek out and I don’t know if I’d be much excited to read more by the author, but if you like to be miserable or get your kicks watching the squalid mingle with the fantastic you might find this worth tracking down.
Next week… an author you probably read an essay by in university and haven’t read since!
The next Black Water Book Club should be up this weekend. It’ll feature at least one story, maybe even two. I got caught up in some other reading this past week. Speaking of which, it used to be something of a regular feature on my blog to do a monthly post about the books I was reading. All that stopped back in March when the Fire Nation attacked… I mean, COVID-19 happened… I mean…
The truth is I started reading an SFF book* that everyone seemed to love, and which I too enjoyed at first, but then slowly I fell out of enjoyment with until I stopped reading it entirely, but I never quite admitted that I was giving up on it, so it would sit there on my Kindle taunting me with its “53% complete” every time I searched around for something else to read. And so it has been for weeks. The book sits there like an unusually small boulder of large-size. Since then I’ve been shamefacedly reading books with my head low and feeling all out of sorts with current genre.
As is often the case I feel it is less the book’s fault than the fact that the hype around it elevated my expectations. It’s a fine book, good in fact, but the way people talked about it made me expect more than what it was.
And I’ll say that I usually have no problem dropping books. A book gets a hundred pages (or 10% on my Kindle), and if I’m not hooked by then I have no problem moving on. But, this one remains interesting enough that I want to finish it, only not now but some day. Until then it’ll remain an unusually small boulder of large-size impeding my path.
Now on to one or two sentence reviews for all the books I’ve read since March:
Golden Witchbreed by Mary Gentle: What if Ursula LeGuin’s Left-Hand of Darkness was about Klingons? An envoy from Earth travels to a post-technological world populated by a humanoid species of conservative warriors (Science Fiction)
Top Ten Games You Can Play In Your Head By Yourself – edited by Sam Gorski and D.F. Lovett: A guide to daydreaming, full of in-depth scenarios, and which might possibly make you lose your mind… or save it! (How-To)
Out of Body by Jeffrey Ford: A librarian learns to astral project and gets involved in supernatural hi-jinx involving monsters and monster-slayers. (Urban Fantasy)
The Hearts of Horses by Molly Gloss: A young teen leaves home to take a job “breaking” horse, but does so in a way that impresses most everyone she encounters. This one got me in the feels. (Historical/Western)
2312 by Kim Stanley Robinson: A tour across the solar system and the human habitats there in the early decades of the 24th century. Pretty thin plots and character, but lots of BIG IDEAS and marvels. (Science Fiction)
War of the Maps by Paul McAuley: A western set on a Dyson megastructure built around a brown dwarf star, in other words this has all the weird world-building of Gene Wolfe with less of the Catholicism. (Science Fiction)
In the Dream House by Carmen Maria Machado: Memoir of an abusive lesbian relationship written in fragments across multiple genre styles like an Oulipo exercise. (Memoir)
The Big Ship at the Edge of the Universe by Alex White: Rollicking space opera that manages to mash together Nascar racing and space-wizards while sitting between the feel-good works of Becky Chambers’s and the brutal violence of Kameron Hurley’s.
Lifelode by Jo Walton: Slice-of-life fantasy novel about polyamorous relationships on a farm in a world where the laws of reality change depending on which direction you travel. (Fantasy)
Lady Into Fox by David Garnett: One of those English stories that gets called allegorical because it was written at a time when society could not deal with either closeted gay men or unconventional women, and the tragedies that ensued when society forced the two together. (British Fantasy)
Two stories for you. One annoyed the hell out of me. We’ll start with the non-annoying one.
“The Friends” by Silvina Ocampo
Two adolescent boys grow up in close proximity to each other because their moms are friends. The boys are dear friends, except one claims to have made a pact with the devil. The other boy is rightfully scared by this, especially after his friend makes several displays of infernal powers. Inevitably the two fall out, and Satan Child attempts to destroy his friend, but in the end manages only to destroy himself.
Ocampo’s a writer I want to like. From a scan of her Wikipedia page I can see she was phenomenally talented, both a visual artist and a writer. I can dig that. But I have yet to read THE STORY by her that will get me hooked on her style. The one I can say I love and that makes me want to rave about to everyone I know. I hope to rectify this at some time by reading her short story collection that the NYRB published some years back and which sits on a shelf in my apartment here gathering dust. But until then all I can say is that her stories are, well, fine.
Now to the story I hated…
“Et in Sempiternum Pereant” by Charles Williams
Oh Charles Williams… how I’ve want to like you. Like with the case of Ocampo you have got this pedigree: a member of the Inklings, occult interests, and books about wizards and ghosts and archetypes from Tarot cards moving about a 1930s London. It’s all so great sounding and makes me eager to read your books, then I do and they’re shit: overwritten, self-satisfied, High Anglican shit. What I feel is the feeling of a potential lover betrayed.
This story is a perfect illustration. It’s in a genre I love: British Man goes for a walk. It has weird metaphysical ruminations sparked by walking on time and duration. And it throws in a wonderful image: a skeletal ghost dressed in rags chewing at their own wrists above a pit that leads to hell. But it’s all written to appeal to a stodgy bunch of Oxford scholars who find any sort of emotional content in fiction must be strangled beneath words, words, more words, and words with extra points for Latin words because fuck those lay people without the proper education.
Anyways, this story is about a retired judge walking to a house to do some scholarship, only to find himself on some weird desolate stretch of road before a cottage that holds passages to both heaven and hell.
I will contend that Arthur Machen and Algernon Blackwood wrote a lot of sentimental crap, and that Charles Williams never did, but I’d rather either of those hokey writers than Williams any day of the week.
Next time, more assholes.
Two stories this week, one okay, one meh.
The okay story is “The Third Bank of the River” by Joao Guimaraes Rosa. The meh story is “Home” by Hilaire Belloc. I didn’t mind reading the former, but the latter annoyed me. If Hilaire Belloc were alive today he’d be one of those tut-tutting conservatives who write op-eds for the New York Times. A David Brooks or Bret Stephens.
“The Third Bank of the River” by Joao Guimaraes Rosa
This story is another in the Something Is Wrong With Dad genre. We’ve seen the type before in Bruno Schultz’s story. It goes like this: for some reason dad’s not right and it’s up to the son to make sense of this while everyone else reacts. In Rosa’s story, dad buys a canoe, renounces the land, and goes to live permanently on the river. The family is thrown into turmoil, and after many harangues to dad, who refuses to relent, the family each make’s some accommodation to their new reality. Years pass. Dad stays on the river. And slowly the family changes with everyone moving away except for our narrating son who stays behind out of loyalty to his father.
In the end the son sets on the idea that he will take his father’s place on the river. But when the time comes the reality of the task proves too great and the son flees his faith in the world shattered because he’s betrayed his father.
I wonder if TVTropes has an entry for Strange Dads? This story also dabbles in that other genre I enjoy: Devotion to the Incomprehensible and/or Futile Task. See my read of the Tartar Steppes.
“Home” by Hillaire Belloc
This isn’t Belloc’s first time in these parts. Awhile back I read The Footpath Way his whole Edwardian paean to English Eco-Fascism.
In “Home” Belloc indulges in the classic “it was all a dream or was it?” bit of corn. The story goes like this: one day while sketching some trees Belloc meets an eccentric man who tells him a story of finding paradise in a French manor house, the “home” of the title. This occurred while on a hiking trip and when the man went to bed in paradise, he woke later on a train and has now been trying to find paradise ever since.
Don’t get me wrong, the story is written well and Belloc can turn a phrase, but he’s a smarmy prick and I find I prefer different smarmy pricks.
Make of that what you will.
Next week, HG Wells!
A thousand apologies!
I missed posting last week and I have no excuse. In fact, I’m a bit ahead with the reading, so much so that this week might have two posts. We’ll see how ambitious I get. But today’s post will be on the stories “Of a Promise Kept” by Lafcadio Hearn and “The Wizard Postponed” by Juan Manuel.
They aren’t dazzlers and are on the shorter end of stories, but they’re all right. I’m getting the feel for Manguel’s rhythm and how he’s putting together this mix-tape of an anthology. Some stories are long hefty numbers, while others are short little ditties.
And these two stories are definitely ditties.
“Of a Promise Kept” by Lafcadio Hearn
I’m a big Hearn fan. That might not be cool to admit, and I recognize that much of his fame is wrapped thick in Orientalism and Exoticism, but that doesn’t change the fact that I am a fan. Maybe it’s the journalistic angle he brings to his work. Maybe it’s some melodramatic kindred spirit bull-spit. Whatever reason it is (it’s probably the latter), I am always excited to read his work.
“Of a Promise Kept” is typical Japanese-era Hearn. There are two samurai. They are “foster brothers” and love each other very much. One needs to go far away, but promises his friend that he’ll be back on such-and-such a holiday. The holiday approaches, and the friend preps a big feast. Everyone tells him he’s crazy, because no one can guarantee when the other samurai will arrive, but the friend won’t hear it, and commands the feast be prepared. Of course, the day arrives and the feast is set out and hour after house goes by and the samurai doesn’t show. Despite this, the friend refuses to accept defeat, and stays up well into the night after everyone else goes to sleep. At which point the samurai arrives and sits with his friend, and tells a story about why he was so late. Turns out his family disapproved of his behavior and tried to keep him a prisoner in their house. But the samurai knew a way to travel a thousand miles in one day, using that one weird trick known as suicide. So that’s what he did, and he’s dead now, but he kept his promise.
All this makes the friend, the “foster brother”, get pretty angry with his dead friend’s family, so he travels to them and kills them, but he gets away and no one’s angry with him because he only did what was right. The End.
It’s not bad, but there’s better Hearn to be had – or maybe more Hearn. He might be the sort of writer that improves with quantity consumed in a single sitting.
“The Wizard Postponed” by Juan Manuel
Don Juan Manuel was a 15th century Spanish nobleman with a reputation for political maneuvering. He was also a writer and wrote some Aesop style fables in among all his other treatises. “The Wizard Postponed” is one such fable, and it’s not bad.
A certain learned dean travels to Toledo to learn magic from one don Illan. When he tells don Illan his desire, the don tells his maid to prepare dinner while the men go apart into an enclosed room. While they are in the room a messenger arrives for the dean saying his uncle is dead and won’t he come to the funeral. The dean says no and stays with don Illan, agreeing to help the don’s son find a position once the magical education is done. Days later another messenger arrives telling the dean he’s inherited a powerful position from his dead uncle. The dean leaves to take the position and don Illan accompanies him. From that position the dean inherits another and another, and with every success, don Illan asks for some position for his son. But each time the dean refuses the request saying he must appoint some other person instead. This goes on all the way until the dean becomes pope and still refuses to give don Illan’s son a position, at which point the maid arrives to tell the men that dinner is ready.
It turns out everything was an illusion made by don Illan to show how the dean would never repay the don for teaching him magic. The dean’s shown the door and don Illan goes to eat dinner by himself. The End.
It’s entirely possible that Jorge Borges made this story up.
Next: a monkey’s paw and a bottle imp!