Archive | September 2019

Favorite Reads: August 2019

Here I am.

It’s 4AM.

I have insomnia.

Let’s talk about books.

embers

Embers by Sandor Marai: A Hungarian novel from 1942 that’s a rediscovered masterpiece yadda yadda yadda. This book’s about two old guys who haven’t seen each other for forty years. One’s a general, and the other was once his best friend. One day they and the general’s wife went out hunting. THEN EVERYTHING CHANGED. Now the two guys meet again and sit down for a long dinner. The book’s pretty much the general making a long speech that boils down to “Did you fuck my wife?” While that makes it all sound trite, I got hooked by Marai’s exquisitely lean prose that evoked a lost world.

gateway pohl

Gateway by Frederik Pohl: 1970s sci-fi that hits the right spot of being smart and entertaining, without having aged too badly. Humanity’s finds a trove of alien spacecrafts on an asteroid near Venus. We have no idea how to operate or control them, but we know they work, and so we send people out blindly in them to travel around the galaxy in the hopes that they make discoveries. Sometimes they do, sometimes they don’t, a lot of times they die trying. The story’s told via flashbacks as Robinette Broadhead goes into therapy after making an astounding discovery.

footpath belloc

The Foot-Path Way: An Anthology For Walkers, edited by Hilaire Belloc: This one was a Patreon read. I suggest you avoid it.

lucian true history

Lucian’s True Story: This was another Patreon read. It’s better than the Belloc book. I absolutely recommend it. It’s a hoot!

demon friend

How to Make Friends With Demons by Graham Joyce: I read this ten years ago and it stuck with me. Rereading it now I still found myself caught up in it. Joyce has written some of my favorite books. He’s also written a book that I hate. Both that book I hate and this one revolve around a guy who has fucked his way into a nervous breakdown, but I feel like here Joyce makes the most of that concept by really putting the screws to his character. On a technical level, I feel like it’s a masterclass of not so much plotting as laying on so many complications that they start interacting with each other and moving the story on their own. Also, it’s about an art forger, and what’s not to love about that?