I’ve a new short story “A Late Quintessence” available now at Beneath Ceaseless Skies. It’s all about censorship, alchemy, and murder.
If you dig it please let your friends know.
Jongsu’s* latest web-comic is online!
It’s a story of murder, monsters, and politics set in 1960s South Korea. An era of political intrigue and authoritarianism. Please let all your Hangeul reading friends know.
*Jongsu is my wife’s comic drawing alter-ego.
I’m not much of a YA reader. The times I’ve made forays into recent YA blockbusters I’ve always been put off by how aggressively and enthusiastically bland they are.
Also the self-absorbed whining.
Also the love triangles.
But honestly I’m not really that well-versed in the genre, at least in its prose format and would probably have an easier time with graphic novels dealing with the same issues.
All that said I was happy to find Mary Turzillo’s Mars Girls anything but bland. It’s a YA SF adventure story that’s quite fun. Best of all, there’s no dystopia nor reality TV bloodsports, only a couple of 23rd century teenage girls on Mars caught up in a mystery involving murder, cultists, corporate geeks, and stolen tech.
Much of the fun comes from the differences between our two teen protagonists: Nanoannie and Kapera Smythe. While Nanoannie is the older of the two friends, she’s certainly not the wiser and while she is the protagonist, she’s much more the propellant whose over-active imagination fuels as much of the plot as solves it. Kapera on the other hand is more thoughtful and reserved. Also she’s more in jeopardy as it’s her family at the center of the plot. She also needs to get to an Earth Orbital colony for medical treatment. And while Nanoannie’s assistance is not totally altruistic, the price tag she offers is one totally in keeping with her character.
The fact that the book isn’t a cruel dystopia is a point in its favor. Overall 23rd century teen life seems recognizably teenish. Nanoannie’s obsessed with dating, fashion, and not being the boring corporate contract workers her parents are. There’s a future internet and attendant social media, but all she wants is to see a bit of Mars before she settles down. That she and Kapera are technologically precocious I’ll let slide. What teen isn’t more technologically savvy than their elders and who am I to raise an eyebrow at the notion of decently home-schooled by scientists teens making easy adjustments to their home nuclear reactor?
Turzillo’s Mars is a consistently hazardous place that feels real and consistent. There’s very little that comes out of left-field and throws you for a loop at least as far as the physics goes. Maybe Kapera’s hoodoo/intuition borders on a telepathic sixth sense, but that’s a rather small piece of the overall plot. And while the story is confined to Mars there’s a definite sense of there being a populated solar system beyond.
Earth’s still there and seems to be doing all right (or maybe Nanoannie and Kapera just don’t care) and there are orbital colonies and Lunar colonies that have industries solvent enough to want to up-sell their products to the unwary. The bad thing in the world might be indentured servitude to corporations seems to be a thing, and corporations have done away with owners and are now run by AIs programmed to maximize profits, which, surprise, surprise, turns out to be a bad idea. And while there were times I wish Turzillo went deeper into her setting, I’m the type that would rather have too little than too much.
Being curious about an interesting idea the author throws away is a much better thing than getting inundated under interesting ideas brought to their uninteresting conclusions.
On the down side there were a couple of corny bits that grated, such as “nuke” as a slang word for “cool”, and the occasional name that bordered on the campy (Elvis Darcy), but they also kind of gave the novel an aesthetic. And there were better silly bits that added to the fun: little details such as the Facer cult wearing symbiotic bindis that display their mood or the oft-mentioned author Naussicaa Azrael whose books Nanoannie has internalized all too well. (This latter one reminded me of Martha Wells’s murderbot in All Systems Red and the “Narrative Disorder” idea Malka Older plays with in Infomocracy – Nanoannie would very well be the poster child for such a disorder.)
While it might be possible to say there’s something retro in Turzillo’s approach, I don’t quite think that’s the case. Sometimes I feel like a lot of genre fiction is trying too hard to be important or serious, and too often the structural bones writers are building their plots on can’t quite bear the weight they’re piling on. All of which leads to a bit of ponderousness when a lighter touch would be more suitable and advantageous.
This isn’t to say genre books should only be fun or humorous, but they can get a lot of mileage out of suggestion and throw-away gimmicks if only writers learn to harness and trust that energy. Stuff like Philip K. Dick’s kookier SF novels such as Clans of the Alphane Moon or Rudy Rucker’s novels – I miss that stuff, and while I certainly feel it’s receded or at least gone out of fashion in recent decades, it’s not altogether gone. I just want more of it. And much to my delight, Mars Girls gave me that and did it intelligently. So give it a shot. I recommend it.
Mars Girls by Mary Turzillo is published by Apex Book Company and set to be released on June 13th. You can order a copy here.