The Monk is a Gothic novel from 1796 written by a 20-year old Matthew Lewis rife with murder, magic, sex, and decadent Catholicism, because if you’re an 18th century English Protestant nothing says sexy decadence sexier than a Spanish Catholic. Set in Madrid the novel depicts the corruption of the monk Ambrosio and his ultimate pact with the devil, as well as tells a gory picaresque as two sets of lovers try to escape the various forces arrayed against them.
If there’s anything The Monk reminds me of it’s a 1970s era heavy metal concept album. But more on that in a bit. For now here’s Michael Gothard from Ken Russell’s The Devil:
In Chapter 1, all Madrid’s come out to see Ambrosio speak because he’s a great holy man and handsome too. The church is packed and people have climbed up onto the statues to get a better view. A young woman and her chaperone arrive late and have a hard time finding seats, but the chaperone’s able to play upon a couple of cavaliers’ sense of gallantry and convince them to give up theirs. At first they’re disappointed, because old lady, but then they espy the young woman’s delicate foot peeking out from beneath her skirt, and nearly slip into raptures. Finally, the young woman unveils and one of the cavaliers instantly falls in love. He gets her name (Antonia) and gives her his (Lorenzo), and there’s talk of another character (the Marquis de las Cisternas) and I’m pretty sure already I’m not going to keep everyone straight in this book.
After Ambrosio’s speech the throng dethrongs and the cavaliers and the ladies split up. Lorenzo stays behind and has a bad acid trip vision of angels and demons fighting for Antonia’s soul. They pretty much tell him “SHE’S GONNA DIE!!!!!”, but he’s not really picking up the cues. Another guy arrives Don Christoval arrives and he’s appy to see Lorenzo since he now has someone to peek at the nuns with. They go hide and watch a stranger eave a letter beneath the foot of a statue. The nuns show up. One of them is Lorenzo’s sister (Agnes), and she’s the one that takes the secret letter, which makes Lorenzo all incensed because virtue and his sister and all that. He hunts down the shadowy letter leaver and there’s going to be a swor fight, but who is it revealed to be, none other than Raymond de las Cisternas, and he has a story to tell…
Which he will tell in a later chapter.
The rest of the chapter has Antonia and her aunt walking home where they meet a gypsy and decide to get their fortunes told. The aunt’s fortune is “You’re old. So old. And ugly.” While Antonia’s fortune is “YOU’RE GONNA DIE!!!!!” and “WATCH OUT FOR DUDES!!!!! ESPECIALLY THE NICE GUYS!!!!” Then the gypsy hightails it out of there, and the ladies go inside.
Chapter 2, Ambrosio sits in his cell doing the 18th century Spanish Catholic monk version of looking at porn, by which I mean staring at his private picture of the Virgin Mary and thinking sentences like, “I am constrained to enter some lovely female, lovely… as you… Madonna…!”
Shit. He ellipsised before his exclamation point.
Well, there’s a knock at the door ending all that and who should be there but the young, handsome, beautiful, but mysterious monk Rosario. He’s stopped by to decorate Ambrosio’s cell with some new flowers, because that’s the type of guy Rosario is. Rosario is completely smitten with Ambrosio, but fears his feelings aren’t returned – but Ambrosio replies that he has feelings for Rosario and before things get much further the bell rings and they have to go to class, which in this case is Vespers. Vespers over, Ambrosio listens to the nuns give their confessions.
Unfortunately, Agnes drops her letter that she received back in Chapter 1, and Ambrosio picks it up and reads it. Turns out she’s pregnant. Ambrosio being the stuck-up prig he is ignores all her pleas for mercy and decides to tell her Mother Superior, who’s straight out of the Confessions of Maria Monk. Agnes get dragged away to be tortured.
Ambrosio, shaken by the ordeal of being a judgmental prick, goes for a walk in the garden, where he finds Rosario sitting alone in a grotto. They read some verses together, and Rosario goes on about his BIG secret. Ambrosio can’t stand it and commands that Rosario spill it, at which point Rosario tells Ambrosio that he’s really a she named Matilda. He does not take this well.
Rosario-Matilda threatens suicide if Ambrosio refuses to let her stay in the monastery, because all she wants to do is be near him, and it’ll be like they’re just friends and stuff. She’s all set to kill herself with a dagger to Ambrosio’s horror, but a pang of mercy and a glimpse of her boob, her left one, and “oh! that was such a breast!” The boob’s magnificence is then described for a half dozen more sentences.
Well, what’s a guy to do after seeing a boob, but give in and do whatever it commands. Ambrosio convinces himself it’d be okay if Ambrosio stays. He’ll even pluck her a rose to prove himself. Only when he does so he’s bitten by a snake, and poisoned, because subtlety is for suckers. For days he lies near death with Rosario-Matilda tending to him, by playing her harp and reading to him from chivalrous romances.
Miraculously, Ambrosio recovers and decides, “Matilda’s trouble and has to go.”
To which Matilda says, “Well, I’ll be dead in three days, because I sucked the poison out of your hand and it’s in me now. Also, I modeled for that picture of the Virgin Mary you keep under your bed, also, also, its better that I die because I totally want to have sex with you.”
To all of which Ambrosio has no idea what to say except, “Huh? Wha?” and then he touches her boob, the left one, and it’s all over for him.
“He remembered nothing but the pleasure and opportunity.”