Happy Year of the Snake
I hope you and yours have a good one.
Roof Dog
Roll for initiative.
Heads. I Win.
Mr. Bowes, I suspect this frightening tableaux originated with you, yes?
“Memoirs of Journeys to Venice and the Low Countries” by Albrecht Durer
“Here I am a gentleman, at home a parasite.”
I downloaded this from Gutenberg. It’s delightfully dull — all about buying and selling jewels (for friends and to pay back his own debts), complaining about Italian painters (rascals, all of them, except Giovanni Bellini), worrying about his mom (he was paying her rent as well as his wife’s back in Germany), and admonishing his kid brother (do not neglect your studies). For much of it Durer seems to be balancing his account book. “How many florins did I spend on dinner last night?” Benvenuto Cellini, he’s not. Very rarely does Durer mention art, except in its most mundane obligatory sense: “The German commune hired me to paint an altarpiece. I should be done in a month and should be able to pay you back then.” One month later: “Altarpiece taking longer than expected.” And, if Durer engages in any hell-raising, he’s discreet enough not to write home about it.
But there are bits of humor and Durer’s character, at least as a friend, comes across:
“My French mantle greets you, and so does my Italian coat. It seems to me that you smell of gallantry. I can scent it from here; and they say here, that when you go courting, you pretend to be no more than 25 years old. Oh, yes! Multiply that and I’ll believe it.”
Durer’s now in the Low Countries with his wife and he’s using his prints as money. “Had sumptuous dinner with guildmaster. Must have cost a fortune in florins. Gave him a gift of an Annunciation in thanks. He gave my wife a parrot. Bought cage for parrot.”
Then there are the mundane details that I love: Durer dates his letters by church holiday as well as calendar day; he attempts to describe a parade he saw in Holland in honor of the Emperor… and it’s something else with costumes and each guild, society, and church group putting on their own display and a constructed dragon at the end surrounded by knights and ladies and led in chains.
Definitely recommended for folks into unsexy travelogues and dull time travel (what, you’re not?) and who don’t mind having the occasional eye-glazing moment when Durer gets preoccupied with his accounting.
“Now did I pay Hans a stiver or a florin or a pfennig or a…”
Images. Millions of Images. That’s What I Need.
Like most people I have folders and folders full of pictures glommed from all over the Internet. Lately I’ve been making crude collages with them on power point. The above is for a short story about a junky ghost hunter and the codependent relationship he has with his assistants. I made it after the story was written, which is a bit different than using it to brainstorm.
That’s one for a story in process. It hasn’t come together yet like the first one, but that’s likely because the story’s not done. Evocation’s my goal, and there’s a tendency to be prejudiced towards the chosen images and using them to illustrate the story, as opposed to finding the pictures that evoke the story best.
I’m So Happy. *COUGH*COUGH*
Another portrait by one of my students. Dig the Maynard G. Krebs beard.
Still coughing and limping. I went back to the doctor’s for a check-up. I have another six days in my cast, but he says my ankle’s healing quite well.
From the Ray Bradbury Paris Review interview: “I type my first draft quickly, impulsively even. A few days later I retype the whole thing and my subconscious, as I retype, gives me new words. Maybe it’ll take retyping it many times until it is done. Sometimes it takes very little revision.”
That makes me think a bit.
Fields of It
Passed this on my walk this evening. Imagine if they all had been left-handed gloves.
Yesterweird 
