“Afterward I remembered these things very clearly, with that longing we feel sometimes to recover a state of life that we have lost for ever, though perhaps that we have lost it is all its value.”
I still make an ass-kicking omelet.
You can never go wrong with sesame leaves.
That is all.
Google keeps a gallery of all their homepage “doodles” from around the world. I hadn’t seen the Stanislaw Lem one (above). It’s even interactive, which is fun since deskwarming and all. Not that it’s appropriate for today, but we take what we can get in this world.
“The reason, if I can put it this way, is simply because it would be awkward for me to get into my bed of creation wearing heavy boots of realism. Solaris is about love and the mysterious ocean, and that is what is important about it. As to how the protagonist actually got to the planet, I pretend that I do not know.”
– Stanislaw Lem
Rules: Reskinned B/X (with Basic Labyrinth Lord and some house rules) – No dwarfs, elves, and halflings. It’s humans, orcs, orc magi, and beastmen.
Setting Inspiration: Early Iron Age Sword & Sorcery Science Fantasy.
Game Time: Every other Saturday at 8PM Korean Standard Time (GMT +9, so Seoul: 8PM / New York: 6AM / London: 11AM) – First game Feb. 25
I’m Justin Howe on Google+. My avatar is Godzilla. If you’d like to play add me there, email me, or leave a comment here.
Email: howeDOTjw [at] gmailDOTcom
It’s entirely likely that some more RPG related posts will start cropping up here. Entirely likely as in at least one or two will in the near future.
I’m trying to put together a B/X Dungeons & Dragons game to be played via G+ hangouts. Since I prefer maintaining one blog as opposed to more than one don’t be surprised when the talk here shifts to orcs roll 4d6 six times, drop lowest, and place in order. Of course if you want to play feel free to let me know.
A young Italian scholar captured by pirates finds himself the slave of a Turkish scholar. The two share more than a passing resemblance to each other, and this makes their relationship complex as each adapts and alters their own and the other’s identity. A short Borgesian novel ripe with potential allegory, which is great by me, my only wish is that for once someone would write a pomo novel with a reliable narrator.
Now on to the covers…
I love that they’re all so different. I read number one on the left. It looks like one of those Edward Gorey book covers from the 1950s. Number two mixes in some weird steampunky gears. That’s cool. The third is reappropriated Renaissance artwork. It’s there, it doesn’t suggest anything except the period. Number four is mysterious, if a bit dull, but it does hint at the issue of duality in the same way number two suggests identity. Just who is that behind the gears?