From the movie adaption of Charles Willeford’s The Woman Chaser. I can’t remember the exact quote from the book, but I think this is close. Possibly the best piece of writing advice you’ll ever find in a misogynistic 1950s smut novel.
In my continuing quest to make rules to
ignore apply to myself, here’s another one:
I read two books this week. Their names don’t matter much. I liked them both. They had me “turning pages”. But both had what I’ll call critique problems.
A critique group’s job is to find faults, but not all faults need to be corrected, nor can all faults be corrected. A critique problem is that thing your critique group would suggest changing, but shouldn’t be changed because doing so would grossly alter your vision of the story. Perfection shouldn’t be your goal. Your best and the space beyond it are your target. If you have control of your material and are achieving a certain effect and if following the advice of a critique would have you alter so much that that effect would be lost then ignore the critique.
This has been my second writing post. Chuseok pictures to follow.