Hello, folks. Welcome to the Black Water Book Club.
Today we’re taking a quick look at the book’s forward before next week when we’ll start looking at the stories proper. Fortunately, the forward’s brief and it gets to the point quickly. Manguel gives a good working definition of what he thinks fantastic literature is:
“Unlike tales of fantasy (those chronicles of mundane life in mythical surroundings such as Narnia or Middle Earth) fantastic literature can best be defined as the impossible seeping into the possible, what Wallace Stevens calls “black water breaking into reality”. Fantastic literature never really explains everything.”
He then outlines the main themes common to all the stories selected for the anthology:
– Time warps
– Unreal creatures, transformations
– Mimesis (seemingly unrelated acts which secretly dramatize each other)
– Dealings with God and the Devil
“The truly good fantastic story will echo that which escapes explanation in life; it will prove _in fact_ that life is fantastic. It will point to that which lies beyond our dreams and fears and delights; it will deal with the invisible, with the unspoken, it will not shirk from the uncanny, the absurd, the impossible; in short, it has the courage of total freedom.”
One thing I’ll note is that while no story has been steeped in the complete bigotry of, say, an HP Lovecraft story, a few so far have relied on certain prejudices to achieve their impact. That this would be the case in stories that rely on dreams, fears, the absurd, and the uncanny should surprise no one. But this “ick factor” when it occurs can leave a bad taste behind it. The fantastic as Manguel approaches it is not to be mistaken for a clean place at all.
If you want to read more about Alberto Manguel, here’s the link to his wikipedia page. His Dictionary of Imaginary Places is a fun book to spend a few hours with.
Alberto Manguel’s Black Water: The Book of the Fantastic is an anthology of world literature from 1983 that’s considered a pioneering book for the weird genre. It’s cited as influential by others, in particular Ann and Jeff VanderMeer who put together their own anthology of weird literature. While Black Water‘s still leans Eurocentric, Manguel succeeded in pulling heavily from outside the English language, paying particular attention to the South American writers who formed his own background. At close to a thousand pages long Black Water does an admirable job at providing an overview of the fantastic as written around the world. Certainly its seventy-two stories excel in scope beyond other omnibus anthologies of weird stories from earlier eras. Used copies go for around ten dollars on Amazon, but I found my copy for half that back in 2017 at a used bookstore in Provincetown, Massachusetts. I bring all this up because one project I will work on this 2020 is a read through of the book over the course of the entire year, writing capsule reviews of the stories here at a rate of six stories per month.
I hope you’ll join me, or at least follow along.